We
drove up the steep zig-zag hill, and on the bend was a farm and the
farmhouse, looking grey rather than white in the rain, which was
falling steadily (the shape of things to come!) and here was the
house we had fallen in love with . . . on paper at any rate.
The
farmer met us and told us to go on in and look around for ourselves,
but to make sure we shut the gate, as there were calves grazing in
the . . . "garden". A wide Georgian glazed door led
into a wide long hall tiled with black, red and primrose yellow
tiles. To the left, a narrow Victorian panelled door led into a
big kitchen. What colour the stick-on floor tiles were was hard
to see as they were just lighter and dark, and covered in what we
could only (rightly as it turned out) assume was cow muck. The
"chap who milked" was currently living in just two
downstairs rooms, this and the sitting room. It was dark and
gloomy. A bay window shed diffused light at one end and very
much smaller window looked across the yard. Washer-uppers had
an uncompromising view of the back wall. Mouse-droppings were
across all the work-surfaces which were extremely dated and needed
replacing. A once-beamed ceiling was covered completely with
pine tongue-and-groove panelling. The fireplace was bricked up
and a tacky-looking stove sat out into the room. A little door
led off into a storage area.
The
sitting room opposite was even worse. A truly awful wallpaper
was clinging damply to the walls - the sort that is the cheapest you
can buy even in a DIY store sale. The sort that makes you want
to leave home to avoid it! A beige-tiled 1940s fireplace hid
the original blocked-up one. Black and red quarry tiles
provided the flooring. Once again, the beams were covered in
tongue-and-groove - this, we were to discover - was a feature
throughout the house dating from the 1970s "modernisation".
Back
in the hallway, one side led into a small cloakroom, then a solid
door on a Suffolk latch opened onto a . . . space. You could
hardly call it a room although it had a window at the back - which
reached right up to the cat-slide roof. It had obviously been
tacked onto the earlier building and the original doorway into the
room next door had been blocked up perhaps two centuries earlier.
This "room next door" was enormous - 16 feet square - with
a huge window taking up half of the wall space on one side, and
overlooking the paddock with its tall apple tree (a "Leatherjacket"
Russet). There was dentil freeze moulding around the room,
obvious damp in the fireplace wall, and the greying magnolia paint
did nothing for the room. However, where the doorway had been
blocked up, was a big arch-topped recess which added to the character
of the room.
There
was a "below the room next door" too. We walked down
to find two ruined rooms and an even more ruinous staircase which had
been blocked by the cloakroom. A vast inglenook fireplace and
bread oven, with a brick arch above it was in the kitchen.
There were flagstones on the floor, and it was filthy and festooned
with cobwebs and dirt. Next door was a room with an ancient
cobbled floor and blocked-in windows. We could just make out
the shapes of shallow slate dairy troughs. The doors were
rotten at the bottom and hanging on their hinges, but here the huge
beams had been left alone . . . to rot and to provide homes for Death
Watch beetle and woodworm. We looked out into the yard, where
there was a row of 3 calf sheds, an old cart shed with pigsties
behind it, and another lean-to building beside it. The old Ty
Bach can be seen in the photo below - in use until the 1970s when a
loo and bathroom were put in the house.
Up
the wide shallow Georgian stairs were four bedrooms and a door that
opened onto a little storage platform beneath the cat-slide roof, and
over the void below which was the non-room. We were intrigued to find
the skirting boards had the tops of baked bean tins tacked onto them
at intervals . . . All fireplaces had been blocked up.
All beams covered in tongue-and-groove.
The
bathroom was uncompromisingly slurry green, from walls to bathroom
suite. It was akin to walking into a silage clamp . . .
Another
door on a Suffolk latch led to more stairs (and more spiders,
festoons of filthy cobwebs) to the rotting flooring of what had once
been the attic where the farm servants lived. Several of the
rooms, we noticed, had chains on - just a couple of links, so from
the outside you could lock them with a bar going through.
Strange . . .
Outside,
we looked at the land through curtains of rain. The field
behind the house had a fair slope to it, but was still quite good
grazing, and had a belt of woodland in one corner. With a small
daughter in tow (she wasn't even a year old then) we decided not to
explore further. There was a shared water supply located . . . "in
the field behind the house" . . . There should have been
alarm bells ringing but they were silent.
The
"garden" as it was in 1988 . . .
We
should, of course, have walked away, smelling the damp, noticing the
woodworm, the need to re-roof, replace doors, reinstate derelict
rooms, and having a reality check when we saw just how much work
there was to do to bring it back from the brink. How much MONEY
needed to be spent. But of course, we didn't. We drove straight
up the hill to see the farmer and offered him the full asking price
(were we MAD?!!!!) He accepted our offer. We drove home.
We didn't even have a second viewing. Then suddenly TWO people
wanted to buy our house and before we had a chance to have cold feet
or even misgivings, we found it was all systems go on moving to
Wales. I think you can honestly say - it was MEANT TO BE . . .
A wonderful story.
ReplyDeleteI hope this weekend the people viewing also fall in love with it
Well Sue, folks do, and then they see the next house, and ours gets dismissed. It was the farmhouse for the farm next door and not everyone wants to live next door to a dairy farm. Still, I can't abandon hope just yet (though since the last viewing I have been rather glum about the whole business.)
ReplyDeleteCheer up, you could always write a book about the whole experience it is fascinating. And look at the changes you have wrought.
ReplyDeleteI have these first notes of moving to Wales Thelma, and 30 years of anecdotes. As for writing one about the selling - I don't want to relive that!
ReplyDeleteI can only think that we tackle such projects when we are younger than we are now--enthusiastic [unrealistic!] and in love with a particular location. Somehow, you made it into an appealing home! There are many collapsing old farm houses here in Kentucky--and few of them will ever be propped up and revived.
ReplyDeleteAt the time we bought our house, the world and his wife wanted an old farmhouse to do up. We were already on that path when everyone joined the bandwagon. Now . . . I think I would finally be sensible and buy something ready to move into, BUT if there was just a bit of work to be done and it captured my heart - who knows? I know Keith would buy a castle if one was going cheap so I guess we are just helpless romantics at heart! What a shame about the old Kentucky farmhouses being left to rot.
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